Another in my series of the Naro Theatre. It was a challenge for me to paint this size and try to knock it out in a relative short time. Of course, I had to stop painting at a time when I was unsure where to go with it. To me, it makes it much harder to dive back in when I left of in a moment of crucial decisions. The Alizarin Crimson is a tough pigment for me to handle. I have used it in the past with epic failures during plein air competitions. Hopefully this is more successful, maybe you all will agree. If not, I'm up for honest criticism.

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